Tag: #mapmaking

  • The Great Collection of the Elemental Families of Huphaea, anid 1830 #7

    Hi Everyone! Hope you are all well as we pass the midpoint of June. Wow, time does fly. One fun fact about Ereth and Huphaea is that we share the same sun. The day length, therefore, is still the same for Elahna, but it is divided up into more ‘erdurs’ than twenty-four. How many more? Stay tuned for that, she will find out in an upcoming episode (which I need to write! Gah! Time!).

    When we left Elahna last week, she was still with the Bluebirds, but they were heading to Rosewood Manor for a performance that evening. Shall we find out what happens next?


    Rosewood Manor loomed in front of me, grown over and through by enormous trees that denied the sun once you entered under their canopy. Inside, the walls, arches, and columns of the cavernous corridor were a mixture of gray and tan stone embedded in trunks and limbs. Staircases were hewn from multiple leaders and branches wound into railings. Complex lattices of leaves and branchlets formed doors and window shutters. The Seat pulsed with energy and felt warm and alive to the touch.

    Because of course, it was.

    It was the most amazing structure I had ever seen. I gaped. I couldn’t help myself.

    I wish I could draw it for you. Yes, there were lights and hot water, but I don’t think they were electric. Probably vitae powered. It was such an incredible place, especially for a plant lover like me.

    Aymur Arborea greeted us in the grand main foyer. He reminded me of a smaller version of Paul Bunyan. But not clad in plaid. The backs of his hands were rough and lined like beech bark and his eyes were a brilliant green.

    “So this is the Passer?” That word again. “Elahna, is it?”

    “Yes, sir. Pleased to meet you. Elements be.” I raised my hand, palm out, as I had seen others do.

    “Elements be, well met. Fife has told me your story as he knows it. I admit, I am intrigued. I sent a bird to my kinswoman, the Queen, for advice on the matter. She replied to send you on to Irillo and perhaps the Scholars can help get you home. For tonight, though, be our welcome guest at my mother Daphne’s request and enjoy the Bluebird show. In the morning we will discuss travel.”

    “Thank you, sir.” I nodded in respect.

    Fife clapped a strong arm around my shoulders. “Ah, you’re in good hands now, fla, Madame Daphne’s a fine hostess. I wish you luck in getting home, and if you don’t, perhaps we’ll meet again.” He winked and raised his palm. “Elements be.”

    “Thank you so much, Fife. For everything. Elements be.”

    And just like that, I was an outsider again. I did want to see Fife and the Bluebirds again. I felt indebted to them for their acceptance and help. I could only hope if there was a next time, I would be in a position to repay them somehow. I had a feeling debts were part of the currency in Huphaea, or at least in Eflary.

    The Arboreans made me welcome in every way possible, but they couldn’t hide the furtive glances. ‘Passer’ was tossed around behind hands or whispered into pointed ears. The unwanted attention increased through the meal, and I was glad to see the show start.

    No, the people weren’t nasty or anything, but it was like being the new kid in school. Uncomfortable.

    Oh yes, the show was magnificent. I was just as exhausted as the night before. My brain spun with new legends and song impressions. Haha! I only wish I could tell you some, I mostly remember images and sensations. I wouldn’t do them justice.

    The hall emptied, Bluebirds heading back to their camp, and Seat residents seeking their quarters. I wandered down the corridor I had been shown when I passed a woman and a young boy. The boy shrank back from me, clutching his mother’s leg and hand as though I might steal him. “What if she tries to take you back to her home with her?” he wailed. “No, Mamam, you can’t go!”

    “Hush, Lignan! Don’t be silly! Passers don’t steal people. I’ve been called to Forelore and so has she, it only makes sense that we travel together. It’s time for your visit with your pater anyway. He’ll be here tomorrow to get you. Stop your whining, you are too old to cry about such things.” She flicked a quick glance at me and marched him away.

    I quickened my pace, counting the doors on the right to the fifth one. It was deep purple. I yanked it open and then closed in one motion. Locating the bed through my teary eyes, I flopped face down and let out my fear until I fell asleep.

    It wasn’t my finest moment, for sure. I was just glad to be out of the whispers and didn’t want to think about what that boy meant. This is a good place to stop, and I promise the next day is much more upbeat!


    Can you imagine how Elahna felt after hearing the boy’s outburst? She has had an amazing two days though! Leave a comment below and let me know what you’d be thinking at this point- would you want to go home, or stay?

    Remember to subscribe to Collata, The Collection of Huphaea’s official newsletter! The next issue is coming out very soon, so keep an eye on your inbox if you are already a Nightingale. If not, hit the subscribe button below and join Eleanorah’s troupe!

    ©2020 Eleanorah Starr and Quill & Orb Press. All Rights Reserved.

  • The Great Collection of the Elemental Families of Huphaea, anid 1830 #6

    Hello Everyone! It’s a steamy, tropical day here, perfect for sitting with my words (as long as the computer doesn’t frazzle out with humidity) and reminiscing. There is so much about Huphaea I wish I could share with you in reality, though I hope our story sessions do inspire happy emotions and active imaginations 😊. Stories are intrinsic to us as humans and provide a little refuge when it all gets ‘a bit crazy out there.’ I hope you are all well and safe 💛. Nightingales, look for a new issue of Collata in your inbox soon!

    When we last left Elahna, she had just had her world rocked by the Madrigal Bluebird troup’s mind-blowing performances and some tavern ale… let’s see how she is feeling the next day…~


    Town of Cragbend, Seat of Scion Arborea, House Gaiist

    Morning found me wrapped in a soft blanket in a pavilion. The sounds of an active camp and smells of sausage and eggs floated around me. I sat up and felt the dull pound I expected in my head. Ugh. This was gonna suck. The tavern ale had hit like good-natured boxer—hard, but with a jolly laugh. I remembered laughing a lot, and oh, jeeeyyyz my body felt battered, I just hoped I hadn’t acted too much a fool. Right then, Raga stuck his head in the door and grinned.

    Bluebird camp*

    “Ah! You live! I’ll call Poet in, I can imagine you need her services.”

    What did that mean? “Oh, ah, I’m good, thanks,” but my attempt to stand up betrayed me. He chuckled again.

    Poet ducked inside and knelt beside me. “Here, let’s see if I can help some.” She put one hand on the front of my head and one on the back and started to hum in a low tone. When she stopped after a minute or so, the pounding had subsided into a tolerable ache.

    I gazed at her in wonder. “How did you do that? Are you a healer too?”

    Vitae works wonders…*

    “No, not as such, it’s just another aspect of my singing ability. I use my voice to create, but I can also draw away with it. The bits I can’t fix some food will. Come on. We saved some for you.”

    As we walked through camp, I noticed many of the others watching us overtly. I caught the word ‘Passer’ several times in whispered tones and my self-consciousness came rushing back. I didn’t belong here. I had to find a way home.

    “There’s the Passer. Is she staying here?”*

    Did I want to go home? Well, that was the REAL question. Kinda yes, and kinda no. I definitely wanted to know more about this land of Huphaea, its amazing people, the magic, dragons(!), but would I be welcome to?

    Fife greeted me heartily and Tango hugged my legs. “Well, fla, unfortunately the Orderly isn’t here at the moment, though I’ll say your head seemed fine last night, if a bit ale-addled. You sure have some stories to tell and some strange words. Hopefully Raga let you sleep once you were tucked away in the pavilion, eh?” He waggled his eyebrows and winked at me.

    I felt my face burn crimson. Oh god, I had no memory of even walking back to camp—and Raga wasn’t there to save me. Oh no, what did I do? Would Poet hate me? She didn’t seem to, but that could be a front until later. Ugh.

    I passed the day helping where I could to be useful, to keep my mind off what might have happened that I didn’t remember.

    The cartwrights had indeed set up a mobile workshop of sorts out by the wagons and were busy fitting new wheels, replacing axle shafts, applying grease to hubs, repairing cracks in the walls and floors, and there was even a painter. The last two individuals held my attention for a while. They were absorbed in their work, but the lack of tools and jars normally seen with menders and painters was glaring to me.

    The mender was a bearded man in a red vest. He ran his long fingers over every inch of the wagon box to my left. When he detected some unseen anomaly, he stopped and placed his opposite hand into the bucket he carried with him. Something would flow, seemingly from the fingers of his first hand, onto the wood. When he was satisfied, he removed the hand from the bucket and continued pressing and smoothing the spot. It made me think of applying caulking or glue to a crack. When he moved away, a bright spot of new wood shone. The more I watched, the more it became obvious that he was drawing on the contents of the bucket to fill the cracks—but through his hands and body? I didn’t want to stare too long, but I was mesmerized. At that moment, the painter approached the wagon to my right.

    “Elements be. Did you paint these coaches? They are astoundingly beautiful. I’ve never seen anything like them.”

    “Elements be. Oh, I did not paint them originally, but I have worked on them several times when the Bluebirds are in Cragbend. They are lovely pieces. All of the Madrigal caravans are stunning.” The woman was young, with shorter, straight black hair woven into rows of braids that were pulled back from her face. Her highly pointed ears poked out between the rows and corralled numerous paint brushes. She carried a flat palette with a large dollop of white paint on it. Her smile was small, perhaps shy, but her lavender eyes radiated confidence and warmth. She wore a white sleeveless shirt and not a spot of color marred it.

    “Forgive me for asking, but can you tell me what he is doing? It looks like he is repairing cracks, but I can’t see how.”

    She grinned now, it was lopsided but full of openness. “He is repairing cracks, yes. See how he finds the weaknesses with one hand by touch, and then applies the sawdust in the bucket to it. His talent is transformative. The sawdust becomes a form he can work into the anomalies to re-strengthen them. They appear as new wood, then I come along and color them to match. I’m guessing you are the Passer everyone is talking about.”

    “Oh, um, yes I am.” My eyes slid to the side, a bit embarrassed. Just then, she plucked a brush from an ear, dipped it into the white paint and touched up the design where the new wood gleamed. The paint brushed on in the exact colors necessary! My mouth fell open a bit and I drew a tiny sharp breath. She glanced back at me with that grin again.

    white brushes leave color?*

    “Creating color is my gift,” she said, before I could even splutter a question.

    “But, how? How did you make something white into all those shades of blue just there? I don’t see any dyes or pigments on your board.”

    “My talent is transformative, too. There is plenty of pigment all around us, in the form of light. It’s filled with color.”

    “You use light? Like channeling it into the paint or something?” I didn’t care that I sounded like an idiot.

    “Yes, very much like that! I see light and colors very differently when I invoke my talent. It allows me to see color in its parts so I can draw the light I need to create the exact colors.” She kept painting as she spoke, the strokes leaving color that blended perfectly with the surroundings.

    “That’s amazing. Do others have that ability too?”

    “Some, sure. There are others who are Herballs who have like ability, but they do work with the actual dyes and pigments in plants. Their work is best for garments and fabrics, candles, more softer materials. The coaches are always outside, so light-based color makes the most sense for their artwork. It’s constantly being refreshed that way.”

    “Wow, I’m,… thank you. I don’t know what to say, there is nothing like that where I’m from. And this type of color makes so much more sense to me! Thank you for indulging my curiosity. I should get back and be useful. Enjoy your day! Elements be!” I raised my left palm and smiled as I turned away.

    “Elements be, you’re welcome. Enjoy your stay.” She tipped her palette to me in goodbye and went back to embellishing wood with light.

    I caught up with Fife next as I crossed the camp. He said he had spoken with Aymur Arborea last night about finding me some help to get home. I tried not to look too disappointed. He had been so generous, I didn’t want to be ungrateful, and I knew I couldn’t stay with the troupe as I had no talent to offer. I was going to miss them though.

    The Bluebirds had been such a help to me over the past day—it was hard to believe I had only been in Huphaea for a day!

    What was that? Oh, no, I never did get an answer that day from Raga about the night before. I lived with that question for quite a while, mind you. And Poet never said a word 🤷🏼‍♀️.

    We’ll leave it here for today, the next post will take us to Rosewood Manor and the delights that await there!


    What did you think about the mender’s and painter’s abilities? Amazing, right? Would you want to go home if you were in Elahna’s shoes? Leave a comment below and let us know!

    Remember to subscribe to Collata, the Collection of Huphaea newsletter. The second issue will be out soon with some more exclusive content, from a youngster this time 😃. Hit the subscribe button below and become a Nightingale!

    *images other than Cragbend map from pxhere or unsplash as free for all use images

    © 2020 Eleanorah Starr and Quill & Orb Press. All rights reserved.

  • The Great Collection of the Elemental Families of Huphaea, anid 1830. #1

    told by Eleanorah Starr

    Trespassing

    Up a hillside off a dirt road…
    Photo by form PxHere

    I stumbled into the world of Ereth by accident. Completely by accident.

    I left my mountain bike around the backside of a copse of spruce trees where it would be hidden, since my search involved trespassing. And though I didn’t expect to be there long, I preferred to avoid disgruntled property owners. The hillside sloped upward ahead of me, dotted with other evergreens I could use to hide from the few cars that might drive by while I was visible. The noisy, early-spring gravel road would warn me anyway.

    Oh, I’m sorry, I thought I had mentioned that before. I was in Vermont, mid-Vermont I guess you would say, searching for a megalith site I read about online. I had visited some megaliths during my time in Ireland many years ago, and they were fascinating; so full of history and energy.

    That winter had been a long, cold, icy affair and I needed an adventure. So I headed north to investigate what I had read.

    No, this site wasn’t like Stonehenge, or Newgrange, but it was reported to have some similar components: a stacked stone structure built into a hillside, a calendar chamber that admitted light on the winter equinox, and a menhir stone.

    (Photo by Jon Tyson on Unsplash)

    I headed up the hillside hoping I had chosen the right location.

    Photo by form PxHere

    After about ten minutes of hiking and marking my trail for the return, I came upon a tall, jagged, triangular-shaped stone encircled by large maple trees. Gnarled, weathered roots crawled and stretched toward the stone creating a ray-like sculpture on the ground. As I stepped between the trunks, a humming vibration danced along my skin, raising the hair on my neck.

    (Photo by form PxHere)

    It was as if the trees were protecting the menhir.

    Crossing the lumpy ground to the stone, I reached out to touch the gouged surface. It felt warm. Wait—how? There was no sun, it was a cloudy day.

    Something rustled behind me. Startled, I lurched on the roots underfoot, trying not to twist an ankle. I leaned onto the nearest trunk for stability and cover. Later I recalled the tree was warm too, but I was too spooked to acknowledge it then. I peered around in the direction of the noise and there was the stone chamber.

    It looked ancient. The dry-laid rock walls framed a typical megalith doorway of three much larger, flat rectangular stones. I stopped several paces from the structure, thoughts racing through my head—

    How old is this?

    Who built it?

    This is amazing, I can’t believe I found it!

    Do I dare go inside?

    Trees grew all over the top of the chamber, nestling it further into the hillside and the forest. I decided to go in. I only had this one opportunity, most likely. About three paces from the door, the humming started again, this time more in my head. My skin tingled and I recalled that feeling I had at the sites in Ireland. I passed under the lintel into an earthy, warm interior.

    Well of course it would be, I was out of the chilly wind.


    What was in that ancient chamber? Let me know what you think is there in the comments below. Then look for my next post this weekend!

    If you’d like to stay current with The Collection of Huphaea and get some cool extras, subscribe to Eleanorah’s newsletter here:

  • Down the Rabbit Hole — The Beauty and Value of Inkarnate Map Creation Software.

    Oh my, where do I start?

    I stumbled upon Inkarnate one day when I was doing an internet search for mapmaking options. I already had the map for my fantasy land on a plain piece of white paper, but I wanted it to look authentic—with landforms, oceans, forests, roads, and settlements delineated and in color if possible. There is nothing I like more than opening up a fantasy book cover and seeing an interesting MAP.

    As you can see, it was horribly boring, and woefully underwhelming.

    Initially, when I opened up Inkarnate (free-version), I was thrilled! Here was a design tool where I didn’t feel like a non-artist (as I am). There was a picture in my mind of a coastline present to the northwest of my central land, and I couldn’t draw it correctly at ALL (ugh). Suddenly with Inkarnate, I could make things appear as I wanted; the maps were not pre-generated like other internet sites I had dabbled with.

    I bet you can guess what happened next…

    Yeah, before I knew it, it was dark outside and the dogs needed feeding… but I had a NEW MAP!

    a couple hours later… the first version of Iacewen

    I was so pleased with the result that I decided to take the time and attempt to transfer (freehand) my plain map into Inkarnate. But… I wasn’t so confident about my ability drawing with the mouse. On a whim, I emailed the Inkarnate support team and asked if a scanned document could be imported and modified. And I HOPED against hope that it was.

    To my great delight, the answer came back YES with details on how to make it happen! On the next opportunity, I uploaded my bland map, and after several sessions, came out with:

    Huphaea: first run

    The political lines, roads, rivers and water bodies took time to outline, but I was able to follow my faint lines on the uploaded copy, thankfully. It was really the shading built into the ocean and land textures that made it come alive, though. I was pretty pleased. The icons available in the free version were great, but the pro version held many more choices. After a bit of thinking, I opted to pay the modest yearly price and upgraded to the pro version for the greater variety.

    A bit before Christmas, Inkarnate introduced a beta HD version of their new pro upgrade, and I signed up immediately. Once I opened my maps again, the difference was HUGE!

    current map of Iacewen under Inkarnate Pro beta HD
    current map of Huphaea under Inkarnate Pro beta HD

    As you can see in the Iacewen map, the icons are FAR more advanced in design, color, and features (volcanoes, snow on the mountains, etc.) The trees are grouped into species, and there are several forms of each to choose from or rotate through to create realistic forests. Every feature can be resized on a 1-100 gradient depending on the scale of your map. These here are in the 25 and less range because my map is large on distance.

    The addition of a shadow feature creates depth in any place you enable it, and I have seen some incredibly detailed shorelines other users have made. Along with that, the amount of different stamps in common fantasy categories (elves, orcs, human, goblin, etc) make it possible to create incredibly detailed cities on a very visible scale. Role players have produced some amazing creations, check out the Inkarnate reddit if you are interested in the possibilities.

    Two of the better features, I think, are the SAVE reminder and the Path tool. I was happily editing along, and this box popped up in the lower left corner, telling me I had made over 60 edits and it was time to save — wa-wa-wwhhaaatt? Where is that feature in everything else? And you can bet I saved immediately!

    The Path tool came a bit too late for me initially, but I was delighted to be able to go back and apply it to my solid road lines. It changed them to a dotted string, and the map came to life! The roads suddenly looked like thoroughfares even without a key. The map started to look like something I would see covering the inside cover of a novel. There are even beautiful scroll-work edges and parchment-like borders you can add to your creation so that it resembles a weather-beaten map.

    The differences aren’t as visible on the second Huphaea map, but I notice it in the depth of the land textures. I have quite a bit more to do; undoubtedly I will continue to amend as I go.

    If you are an author (especially of fantasy) enmeshed in worldbuilding, or an RPGer, hop on over to Inkarnate and play around for a few minutes, then tell me you aren’t hooked. I highly recommend Inkarnate for anything you need to map out, even if it’s only to keep it straight in your head while you write. Sorry about the rabbit hole, though…

    sorry, not sorry…

    On second thought, nope, I’m not. Happy mapping!~

    What have you used to map your world? Have you made a physical copy, or prefer to keep it in your head? Leave a comment below, I’d love to know your thoughts about maps and creating them!~