Tag: #audiobooks

  • More Musings from the Land of Audiobooks

    More Musings from the Land of Audiobooks

    Don’t mind the messy desk, please…

    Ah, my three ubiquitous companions. These devices have the singular ability to be able to accompany me ANYWHERE, something my dogs cannot do but would if they could.

    And they also take me anywhere in time and location. So while I may be head down weeding furiously around blooming perennials, my mind thinks I am in 1918 London solving mysteries alongside Maisie Dobbs, or inside the mind of Sherlock Holmes as ‘he’ is portrayed by Sherry Thomas in late-Victorian society. The power of story never fails to amaze me.

    I have always loved reading aloud, I’ve done it for years to my dogs on hot afternoons or late evenings to settle us all down. The stories leap off the pages into the fore of my mind, becoming more real the more I speak. I’m not sure if that is the case for everyone, but I would almost be sad if it were not. I wasn’t sure if listening would provide the same experience for me and I am thrilled that it has. Hours weeding in the hot sun in messy gardens fly by, while the dogs’ walks become calmer too. I am able to fall into the story almost as if I were holding the book myself.

    Recently, I began listening to the Maisie Dobbs series by Jacqueline Winspear. I was unsure about the time period, pre- and post-WWI London, but library availability was scarce, so I took the chance. When the book was done, I returned it and looked for the second in the series (I think there are fifteen so far) immediately.

    The second book, however, changed narrators, and I was a bit crushed. Now I understood about readers following narrators.

    The first narrator undertook the tale in a pleasant, hopeful voice easily associated with a younger female. The male parts she infused with a warm and caring tone befitting of Maisie’s father and mentor. I was attentive to the dialogue especially, learning for future reference.

    The second book, Birds of a Feather, features a crisp, more sophisticated and controlled narrator that took several chapters to get used to. I actually considered stopping listening because I was so unsettled. However, I continued, as I was well into the story by then, and I’m glad I did.

    By the end, I thought it actually a brilliant decision on the producer’s part to change narrators (if that was the case), for Maisie’s character had undergone many changes as well, thanks to the war duty she saw. The Maisie who emerged from medical duty in France was harder, leaner, and inquisitive in a more pointed way than before. The new narrator had nailed this sentiment, I felt, with her clipped speech patterns and deeper tones.

    And yes, I do have the third book on hold to listen to when it becomes available 🙂. From looking ahead though, I will hear a third narrator and I hope she is as insightful as the other two have been.

    I’ve picked up many pointers just listening to the different narrators in my short time consuming audio stories. All food for thought as I continue to practice reading and differentiating characters to my dogs on these lazy summer days. I’m priming for the best performances I can give!~

    Do you evaluate the narrators of the audiobooks you listen to? What things do you notice and what will make you stop listening? I’d love to know while I’m learning this craft, leave me a comment below!

  • My New Obsession: Audiobooks.                        What took me so long?

    My New Obsession: Audiobooks. What took me so long?

    I’ve mentioned in a previous post that I want to get into narrating audiobooks. As I investigated more about narrating, one of the most frequent tips was—listen to audiobooks yourself to get an idea of the different approaches narrators can take.

    Photo by Findaway Voices on Unsplash

    This advice made all the sense to me, but still a part of me resisted—the same part of me that prefers to read a physical book over an e-book on my iPad.

    I continued to hold out, reading aloud for myself, formulating my own strategies of how to voice different characters. And then of course, COVID happened.

    My TBR pile of physical books dwindled, though I am never technically out of things to read, I couldn’t go get what I wanted to read anymore. My library is well-connected with digital reading resources, so I started exploring what was available.

    I was thrilled to find Good Omens, but only once I downloaded it did I realize it was in audiobook form. I paused for a moment, but then decided to give it a go, because after all, I listen to a billion podcasts on many topics, so why not try it? And really, I should anyway.

    Suffice to say that was a month ago, and I’ve gone through six books, with two in progress. It is fabulous, I’m totally hooked! Why did I wait so long?

    I listen when I’m in the car, when I’m walking the dogs, when I’m eating breakfast, when I’m gardening. I’ve even had to stop listening to the books to catch up on the podcasts I keep up with regularly.

    And I have found all of that advice to new narrators to be true—listen and find out what you like and what you don’t like, because a voice and a style MATTERS.

    My nephew and I learned this first hand while tackling his 7th grade English COVID-school work. He chose a series of books to read for the story analysis section they were doing, in audio form. The first book’s narrator was a man with clear diction, great pace, enough difference in the characters to make it interesting, and clean production. Sadly, the second book featured a woman with a strong accent, who spoke fast, misspoke words often, and you could hear every page turn or movement she made. It was awful, bad enough that the story lost our interest. We even decided to complete the assignments with what we knew already, so that we didn’t have to hear it anymore. A real shame considering we wanted to know the outcome of the story, being one book in already.

    I have found that listening to audiobooks prods me even more to narrate myself. I should have known though, once I started that I’d be hooked. I think it was part of the opposition, honestly, that resistant voice that says “Uh oh, this could be dangerous.” I gotta listen to that voice more often, be quicker with my inner rebel to accept the challenge. Oh yeah, and I did just buy an Kindle, too. Let the electronic consumption begin!~

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  • Book Review: Audio for Authors by Joanna Penn

    If you are considering adding audio to your author business, Audio for Authors is a must-read. Then decide!

    Think you might be interested in audio? Look in here to see why you should be.

    I have been interested in narrating audiobooks for quite some time now, in fact, I already have the equipment, a homemade audio booth that sits on my desk, and I’ve created an ACX account. Why haven’t I taken the plunge? The main reason: Time.

    I read aloud A LOT. It is one of my favorite things to do when I am pleasure-reading. My dogs appreciate it, and for me it is about how the words come to life when spoken aloud. Narration is certainly something I want to add to my freelance word services business, but in addition to the time factor, I allowed myself to be stymied by the editing process. Recently, I took two more online courses through LinkedIn on using the software, and I gained a much better understanding of it. It doesn’t appear to be as difficult as my brain would have me think.

    Joanna Penn’s The Creative Penn Podcast has been a staple of my subscriber library since I started listening regularly to podcasts over the past year. She is at the forefront of the indie publishing industry and a super successful entrepreneur. I find her episodes insightful, honest, and certainly thought-provoking. More often than not I remove my earbuds only to think, “Now how can I apply that to what I am doing?”

    I ordered Audio for Authors shortly after it was released. It had been recommended to me by another podcaster as well, Sacha Black over at The Rebel Author Podcast and Next Level Authors, so it was a no-brainer to add it to my cart. Then the Coronavirus hit, and I got nervous that it wouldn’t show up forever, but to my delight it arrived quickly and on time!

    The first thing I noticed about the book was the three-part organization: Audiobooks, Podcasting, Voice Technology. Can it get any more succinct than that? Each section discusses the topic thoroughly and in a manner that you can easily return to for reference- it’s all spelled out in the titles of the sections. The tips and steps are infused with the author’s own experiences over her 10+ years in podcasting, which made it all reachable for me. She shares her own techniques and reasons for the software, platforms, technology, and hardware she uses, passing along lessons and time-savers freely. I have to say my own confidence increased markedly, as did my enthusiasm!

    I finished the book over a week or two, absorbing it in small increments. The Audiobook section amped up my desire to narrate again and I recorded a short cut of one of The Collection of Huphaea posts on this blog (see CoH post #0). The Voice Technology chapters were informative and illustrate how forward-thinking Joanna Penn is in her business planning. The AI voice advances are something all authors should be keeping an eye on for use in several different ways to create income streams.

    But it was the Podcasting section that really hit home and made me think.

    “… if you are only marketing your book through written media, you will not reach a reader like me. And I am certainly not alone.”

    Joanna Penn, Audio for Authors, pg 103.

    This line alone sparked an idea, and now I am beginning to put the pieces together to start my own podcast for The Collections of Huphaea. Eeeeek! In general, I have trouble listening to the sound of my own voice, but she also points out that other people won’t hear my voice the same, so what I think doesn’t matter. Bingo! That was what I needed to hear. Yeah, podcasting. I’m diggin’ it.

    The prose is light and conversational, it’s very easy to sit down and consume in large chunks. There are websites and links given (super helpful in the ebook) and plenty of resources listed in the back of the book for readers to follow up with. Joanna Penn is thorough in providing information, making Audio for Authors a reference for a burgeoning industry.

    I highly recommend Audio for Authors for anyone thinking about adding audio to their marketing activities. Happy reading, and if you finish the book with a microphone in your hand, I won’t be surprised!~